The asylum was situated in the countryside approximately 3 km (2 miles) outside the village of Saint-Remu,. Surrounding the building, which had been built in the twelfth century to house a monastery, were acres of wheat fields,
cypress trees, olive groves and vineyards. It was a wild, rugged and beautiful place, though it was also lonely and remote.
Van Gogh's style again evolved here, with his increasing use of great rhythmic brushstrokes and swirling tumultuous forms. He took the natural object, such as the gnarled old olive trees seen here, and stylized it through the swells and curves of his circles of paint. The expression in his brushstrokes and the actual application of the strokes were indicative of his agitated and nervous mind, while there is a great sense of urgency and a frisson of barely contained feeling that is evident through his pattern of applied point. At the some time his palette again become noticeably darker. He still favoured vivid colour, but the colour was less pure and startling and was imbued with an overall sombre quality.